Practices of Art
نویسنده
چکیده
However far the work of art may form a world inherently harmonious and complete. still. as an actual single object. it exists not for itself, but for us, for a public which sees and enjoys it, [so that] every work of art is a dialogue with everyone who confronts it.. . . At certain epochs [however] the public may be corrupted by a highly praised 'culture', that is by having put into its head the perverse opinions and follies of critics and connoisseUrs (Hegel, Aesthetics, pp. 264f., 1184).
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